Leonard Bernstein Edition: The Vocal Works

Leonard Bernstein · 2018 · Album

Tracklist

  1. St Matthew Passion, BWV 244, Part I: No. 1: Chorus "Come, ye daughters"
  2. St Matthew Passion, BWV 244, Part I: No. 2: Recitative "When Jesus had Finished"
  3. St Matthew Passion, BWV 244, Part I: No. 3: Chorale "O Blessed Jesus"
  4. St Matthew Passion, BWV 244, Part I: No. 4: Recitative "Then Assembled the Chief Priests"
  5. St Matthew Passion, BWV 244, Part I: No. 5: Chorus "Not Upon the Feast"
  6. St Matthew Passion, BWV 244, Part I: No. 13: Recitative "Now on the First Day"
  7. St Matthew Passion, BWV 244, Part I: No. 14: Chorus "Where wilt Thou"
  8. St Matthew Passion, BWV 244, Part I: No. 15: Recitative "He Said: Go ye into the City"
  9. St Matthew Passion, BWV 244, Part I: No. 15: Chorus "Lord, is it I?"
  10. St Matthew Passion, BWV 244, Part I: No. 16: Chorale "Tis I Who Should be Sharing"
  11. St Matthew Passion, BWV 244, Part I: No. 17: Recitative "He Answered Them, and Said"
  12. St Matthew Passion, BWV 244, Part I: No. 18: Accompanied Recitative "Although my Heart and Eyes o'Erflow"
  13. St Matthew Passion, BWV 244, Part I: No. 19: Aria "Lord, to Thee my Heart I Proffer"
  14. St Matthew Passion, BWV 244, Part I: No. 20: Recitative "And When They Had Sung"
  15. St Matthew Passion, BWV 244, Part I: No. 21: Chorale "Acknowledge Me, My Keeper"
  16. St Matthew Passion, BWV 244, Part I: No. 22: Recitative "Then Answered Peter"
  17. St Matthew Passion, BWV 244, Part I: No. 23: Chorale "Near Thee would I be Staying"
  18. St Matthew Passion, BWV 244, Part I: No. 24: Recitative "Then Cometh Jesus with Them"
  19. St Matthew Passion, BWV 244, Part I: No. 25: Accompanied Recitative "O Grief, How Throbs"
  20. St Matthew Passion, BWV 244, Part I: No. 26: Aria "I Would Beside my Lord be Watching"
  21. St Matthew Passion, BWV 244, Part I: No. 27: Recitative "And he Went a Little Father"
  22. St Matthew Passion, BWV 244, Part I: No. 28: Accompanied Recitative "The Saviour, Low Before His Father Bending"
  23. St Matthew Passion, BWV 244, Part I: No. 29: Aria "Gladly Would I Be Enduring"
  24. St Matthew Passion, BWV 244, Part I: No. 30: Recitative "And He Came to His Disciples"
  25. St Matthew Passion, BWV 244, Part I: No. 31: Chorale "The will of God be alway done"
  26. St Matthew Passion, BWV 244, Part I: No. 32: Recitative "And He Came Again"
  27. St Matthew Passion, BWV 244, Part I: No. 33: Duet "Behold, my Saviour Now is Taken"
  28. St Matthew Passion, BWV 244, Part I: No. 34: Recitative "And Behold, One of Them"
  29. St Matthew Passion, BWV 244, Part I: No. 35: Chorale "O Man, Bewail thy Grievous Sin!"
  30. St Matthew Passion, BWV 244, Part II: No. 36: "Ah! Now is my Saviour Gone"
  31. St Matthew Passion, BWV 244, Part II: No. 37: Recitative "And They That Laid Hold on Jesus"
  32. St Matthew Passion, BWV 244, Part II: No. 46: Chorus "Truly, Thou Also Art One of Them"
  33. St Matthew Passion, BWV 244, Part II: No. 46: Recitative "And Then Did He Begin to Curse and to Swear"
  34. St Matthew Passion, BWV 244, Part II: No. 47: Aria "Have Pity, Lord, On Me"
  35. St Matthew Passion, BWV 244, Part II: No. 53: Chorale "Whate'er May Vex or Grieve Thee"
  36. St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Now at that Feast"
  37. St Matthew Passion, BWV 244, Part II: No. 54: Double Chorus "Barabbas!"
  38. St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Then Pilate Said to Them"
  39. St Matthew Passion, BWV 244, Part II: No. 54: Chorus "Let Him be Crucified!"
  40. St Matthew Passion, BWV 244, Part II: No. 56: Recitative "The Governor Answered"
  41. St Matthew Passion, BWV 244, Part II: No. 57: Accompanied Recitative "To All Men Jesu Good Hath Done"
  42. St Matthew Passion, BWV 244, Part II: No. 58: Aria "In Love my Saviour Now is Dying"
  43. St Matthew Passion, BWV 244, Part II: No. 59: Recitative "But They Cried Out the More"
  44. St Matthew Passion, BWV 244, Part II: No. 59: Chorus "Let Him Be Cruified"
  45. St Matthew Passion, BWV 244, Part II: No. 59: Recitative "Then Released He Barabbas"
  46. St Matthew Passion, BWV 244, Part II: No. 60: Accompanied Recitative "O Gracious God"
  47. St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then Did the Soldiers of the Governor"
  48. St Matthew Passion, BWV 244, Part II: No. 62: Double Chorus "We Hail Thee, King of the Jews"
  49. St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then They Spat on Him"
  50. St Matthew Passion, BWV 244, Part II: No. 63: Chorale "O Thou, With Hate Surrounded"
  51. St Matthew Passion, BWV 244, Part II: No. 64: Recitative "And After They Had Mocked Him"
  52. St Matthew Passion, BWV 244, Part II: No. 69: Accompanied Recitative "Ah, Golgotha!"
  53. St Matthew Passion, BWV 244, Part II: No. 70: Aria "Look Ye, Jesu Waiting Stands"
  54. St Matthew Passion, BWV 244, Part II: No. 71: Recitative "Now From the Sixth Hour"
  55. St Matthew Passion, BWV 244, Part II: No. 71: Chorus "He Calleth for Elijah"
  56. St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Straighaway One of Them Ran"
  57. St Matthew Passion, BWV 244, Part II: No. 71: Chorus "Wait, And See if Elijah Cometh to Save Him"
  58. St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Again Jesus Cried Aloud"
  59. St Matthew Passion, BWV 244, Part II: No. 71: Chorale "When I Too Am Departing"
  60. St Matthew Passion, BWV 244, Part II: No. 73: Accompanied Recitative "And Then, Behold, the Veil of the Temple"
  61. St Matthew Passion, BWV 244, Part II: No. 73: Chorus "Truly, This Was the Son of God"
  62. St Matthew Passion, BWV 244, Part II: No. 73: Recitative "At Eventide There Came a Rich Man"
  63. St Matthew Passion, BWV 244, Part II: No. 74: Accompanied Recitative "At Evening, Hour of Calm and Peace"
  64. St Matthew Passion, BWV 244, Part II: No. 75: Aria "Make the Clean, My Heart, from Sin"
  65. St Matthew Passion, BWV 244, Part II: No. 77: Soli and Chorus "And Now the Lord to Rest is Laid"
  66. St Matthew Passion, BWV 244, Part II: No. 78: Double Chorus "In Deepest Grif, Here Sit we Weeping"
  67. Leonard Bernstein Discusses the Musical and Dramatic Structure of the St. Matthew Passion
  68. Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison"
  69. Missa Solemnis in D major, op. 123: I. Kyrie: "Christe eleison"
  70. Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison" cont.
  71. Missa Solemnis in D major, op. 123: II. Gloria: "Gloria in excelsis Deo"
  72. Missa Solemnis in D major, op. 123: II. Gloria: "Qui tollis peccata mundi"
  73. Missa Solemnis in D major, op. 123: II. Gloria: "Quoniam tu solus sanctus"
  74. Missa Solemnis in D major, op. 123: III. Credo: "Credo in unum Deum"
  75. Missa Solemnis in D major, op. 123: III. Credo: "Et incarnatus est"
  76. Missa Solemnis in D major, op. 123: III. Credo: "Crucifixus"
  77. Missa Solemnis in D major, op. 123: III. Credo: "Et resurrexit"
  78. Missa Solemnis in D major, op. 123: III. Credo: "Credo in Spiritum Sanctum"
  79. Missa Solemnis in D major, op. 123: III. Credo: "Et vitam venturi"
  80. Missa Solemnis in D major, op. 123: IV. Sanctus: "Sanctus Dominus"
  81. Missa Solemnis in D major, op. 123: IV. Sanctus: "Plenti sunt caeli"
  82. Missa Solemnis in D major, op. 123: IV. Sanctus: "Praeldudium. Sostenuto, ma non troppo"
  83. Missa Solemnis in D major, op. 123: IV. Sanctus: "Benedictus qui venit"
  84. Missa Solemnis in D major, op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi"
  85. Missa Solemnis in D major, op. 123: V. Agnus Dei: "Dona nobis pacem"
  86. Fantasia in C minor, op. 80: I. Adagio
  87. Fantasia in C minor, op. 80: II. Finale. Allegro - Meno Allegro - Allegretto ma non troppo, quasi andante con moto
  88. Mass in B-flat major, Hob. XXII:12 "Theresia": I. Kyrie: "Kyrie eleison"
  89. Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gloria in excelsis Deo"
  90. Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gratia agimus tibi"
  91. Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Quoniam tu solus sanctus"
  92. Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Credo in unum Deum"
  93. Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Et incarnatus est"
  94. Mass in B-flat major, Hob. XXII:12 "Theresia": IV. Sanctus: "Sanctus, sanctus"
  95. Mass in B-flat major, Hob. XXII:12 "Theresia": V. Benedictus: "Benedictus qui venit"
  96. Mass in B-flat major, Hob. XXII:12 "Theresia": VI. Agnus Dei: "Agnus Dei - Dona nobis pacem"
  97. Requiem, Op. 5: I. Requiem et Kyrie. Introitus - Andante un poco lento
  98. Requiem, Op. 5: II. Dies Irae. Prosa. Moderato - Poco animato
  99. Requiem, Op. 5: II. Dies Irae. Andante maestoso - Tuba mirum
  100. Requiem, Op. 5: III. Quid Sum Miser - Andante un poco lento
  101. Requiem, Op. 5: IV. Rex Tremendae - Andante maestoso - Poco animato - Ancora un poco animato - Tempo I
  102. Requiem, Op. 5: V. Quaerens Me - Andante sostenuto
  103. Requiem, Op. 5: VI. Lacrimosa - Andante non troppo lento
  104. Requiem, Op. 5: VII. Offertorium - Moderato
  105. Requiem, Op. 5: VIII. Hostias - Andante non troppo lento
  106. Requiem, Op. 5: IX. Sanctus - Andante un poco sostenuto e maestoso
  107. Requiem, Op. 5: X. Agnus Dei - Andante un poco lento - Un poco piu lento
  108. Shéhérazade, M. 41: I. Asie
  109. Shéhérazade, M. 41: II. La Flûte enchantée
  110. Shéhérazade, M. 41: III. L'Indifférent
  111. La mort de Cléopâtre, H 36: Allegro vivace con impeto
  112. La mort de Cléopâtre, H 36: Recitativo: "C'en est donc fait !"
  113. La mort de Cléopâtre, H 36: Lento cantabile - "Ah ! qu'ils sont loin ces jours"
  114. La mort de Cléopâtre, H 36: Recitativo: "Au comble des revers"
  115. La mort de Cléopâtre, H 36: Méditation. Largo misterioso - "Grands Pharaons"
  116. La mort de Cléopâtre, H 36: Allegro assai agitato - "Non !... non, de vos demeures"
  117. La mort de Cléopâtre, H 36: Allegro non troppo - Recitativo misurato: Dieux du Nil"
  118. Trouble in Tahiti (An Opera in 7 Scenes): Prelude: "Daa-Doa Day ... Mornin' Sun Kisses the Windows"
  119. Trouble in Tahiti (An Opera in 7 Scenes): Scene I: "How Could You Say the Thing That You Did"
  120. Trouble in Tahiti (An Opera in 7 Scenes): Scene II: "Yes? Oh, Mister Partridge!"
  121. Trouble in Tahiti (An Opera in 7 Scenes): Scene III: "I Was Standing in a Garden!"
  122. Trouble in Tahiti (An Opera in 7 Scenes): Scene IIIa: "Then Desire Took Hold Inside Me"
  123. Trouble in Tahiti (An Opera in 7 Scenes): Scene IV: "Well, of All People ... I'm On My Way"
  124. Trouble in Tahiti (An Opera in 7 Scenes): Interlude: "Skit a Lit Day"
  125. Trouble in Tahiti (An Opera in 7 Scenes): Scene V: "There's a Law"
  126. Trouble in Tahiti (An Opera in 7 Scenes): Scene VI: "What a Movie!"
  127. Trouble in Tahiti (An Opera in 7 Scenes): Scene VIa: "There's a Law That a Man Has to Pay for What He Gets"
  128. Trouble in Tahiti (An Opera in 7 Scenes): Scene VII: "Evenin' Shadows Are Spreadin' Softly"
  129. Chichester Psalms for Chorus and Orchestra: I. Psalm 108 (Verse 2) & Psalm 100 (Complete)
  130. Chichester Psalms for Chorus and Orchestra: II. Psalm 23 (Complete) & Psalm 2 (Verses 1-4)
  131. Chichester Psalms for Chorus and Orchestra: III. Psalm 131 (Complete) & Psalm 133 (Verse 1)
  132. I Hate Music: No. 1, My Name is Barbara
  133. I Hate Music: No. 2, Jupiter Has Seven Moons
  134. I Hate Music: No. 3, I Hate Music!
  135. I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song)
  136. I Hate Music: No. 5, I'm a Person Too
  137. La bonne cuisine (Four Recipes): No. 1, Plum Pudding
  138. La bonne cuisine (Four Recipes): No. 2, Queues de boeuf
  139. La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis
  140. La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse
  141. Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 1. Antiphon: Kyrie eleison
  142. Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song"
  143. Mass - A Theatre Piece for Singers, Players and Dancers: I. Devotions before Mass: 3. Responsory - Alleluia
  144. Mass - A Theatre Piece for Singers, Players and Dancers: II. First Introit (Rondo): 1. Prefatory Prayers
  145. Mass - A Theatre Piece for Singers, Players and Dancers: II. First Introit (Rondo): 2. Thrice-Triple Canon - Dominus vobiscum
  146. Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 1. In nomine Patris
  147. Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 2. Prayer for the congregation (Chorale: "Almighty Father")
  148. Mass - A Theatre Piece for Singers, Players and Dancers: III. Second Introit: 3. Epiphany
  149. Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 1. Confiteor
  150. Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 2. Trope: "I Don't Know"
  151. Mass - A Theatre Piece for Singers, Players and Dancers: IV. Confession: 3. Trope: "Easy"
  152. Mass - A Theatre Piece for Singers, Players and Dancers: V. Meditation No. 1
  153. Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 1. Gloria tibi
  154. Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 2. Gloria in excelsis
  155. Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 3. Trope: "Half of the People"
  156. Mass - A Theatre Piece for Singers, Players and Dancers: VI. Gloria: 4. Trope: "Thank You"
  157. Mass - A Theatre Piece for Singers, Players and Dancers: VII. Meditation No. 2
  158. Mass - A Theatre Piece for Singers, Players and Dancers: VIII. Epistle: "The Word of the Lord"
  159. Mass - A Theatre Piece for Singers, Players and Dancers: IX. Gospel-Sermon: "God Said"
  160. Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 1. Credo in unum Deum
  161. Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 2. Trope: "Non Credo"
  162. Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 3. Trope: "Hurry"
  163. Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 4. Trope: "World Without End"
  164. Mass - A Theatre Piece for Singers, Players and Dancers: X. Credo: 5. Trope "I Believe in God"
  165. Mass - A Theatre Piece for Singers, Players and Dancers: XI. Meditation No. 3 (De profundis, Part 1)
  166. Mass - A Theatre Piece for Singers, Players and Dancers: XII. Offertory (De profundis, Part 2)
  167. Mass - A Theatre Piece for Singers, Players and Dancers: XIII. The Lord's Prayer: 1. Our Father...
  168. Mass - A Theatre Piece for Singers, Players and Dancers: XIII. The Lord's Prayer: 2. Trope: "I Go On"
  169. Mass - A Theatre Piece for Singers, Players and Dancers: XIV. Sanctus
  170. Mass - A Theatre Piece for Singers, Players and Dancers: XV. Agnus Dei
  171. Mass - A Theatre Piece for Singers, Players and Dancers: XVI. Fraction: "Things Get Broken"
  172. Mass - A Theatre Piece for Singers, Players and Dancers: XVII. Pax: Communion ("Secret Songs")
  173. Avodath Hakodesh: Part I: Meditation (Prelude). Moderato - Ma tovu. Poco meno mosso
  174. Avodath Hakodesh: Part I: Borechu. Moderato - Shema yisroel. Moderato
  175. Avodath Hakodesh: Part I: Andante moderato. Ve'ohavto. Tranquillo - Moderato
  176. Avodath Hakodesh: Part I: Mi Chomocho. Allegro moderato
  177. Avodath Hakodesh: Part I: Tzur Yisroel (Traditional)
  178. Avodath Hakodesh: Part II: Kedusha (Sanctification): Nekadeish. Moderato
  179. Avodath Hakodesh: Part III: Silent Devotion (Prelude) and Response. Andante moderato - Yih'yu letrotzon. Andante moderato
  180. Avodath Hakodesh: Part III: Taking the Scroll from the Ark (Interlude). Quieto - Toroh tzivoh. Quieto
  181. Avodath Hakodesh: Part IV: Returning the Scroll to the Ark. Moderato - Gad'lu ladonoy. Moderato
  182. Avodath Hakodesh: Part IV: Eitz Chayim (Peace Song). Molto quieto
  183. Avodath Hakodesh: Part V: Epilogue: Va'anachnu (Adoration). Andante moderato
  184. Avodath Hakodesh: Part V: Kaddish Prayer (Memorial Service). Poco più lento
  185. Avodath Hakodesh: Part V: Yevorechechoh Adonoy (Benediction). Molto moderato
  186. In the Beginning
  187. The Second Hurricane (A Play Opera in Two Acts): Act I: Choral Overture
  188. The Second Hurricane (A Play Opera in Two Acts): Act I: We Don't Know, We Don't Know
  189. The Second Hurricane (A Play Opera in Two Acts): Act I: What's Happened, Where Are They?
  190. The Second Hurricane (A Play Opera in Two Acts): Act I: Gyp's Song
  191. The Second Hurricane (A Play Opera in Two Acts): Act I: How Childish They Are
  192. The Second Hurricane (A Play Opera in Two Acts): Act I: Like A Giant Bomb
  193. The Second Hurricane (A Play Opera in Two Acts): Act II: Introduction
  194. The Second Hurricane (A Play Opera in Two Acts): Act II: Two Willow Hill
  195. The Second Hurricane (A Play Opera in Two Acts): Act II: Sextet
  196. The Second Hurricane (A Play Opera in Two Acts): Act II: Jeff's Song
  197. The Second Hurricane (A Play Opera in Two Acts): Act II: Queenie's Song
  198. The Second Hurricane (A Play Opera in Two Acts): Act II: The Capture of Burgoyne
  199. The Second Hurricane (A Play Opera in Two Acts): Act II: Finale
  200. Le martyre de Saint Sébastian, L. 124: Prologue: Gentle People We Bid You Silence...
  201. Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Frère, que sera-t-il le monde
  202. Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Glory! Glory to Christ the King - Sébastien! Sébastian! Sébastian!
  203. Le martyre de Saint Sébastian, L. 124: I. The Court of Lilies: Ecstatic Dance of Sebastian on the Live Coals - Oh Twin Brothers, Sing your hymn... - Hymnes, toute l'ombre s'efface
  204. Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: Within a Vast Elliptical Vault...
  205. Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: Song of the VIrgin Erigone "Je fauchais l'épi de froment"
  206. Le martyre de Saint Sébastian, L. 124: II. The Magic Chamber: And Suddenly a New Voice Sings from Beyond the Magic Door & Qui pleure mon enfant si doux
  207. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: "A Huge Gilded Hall..."
  208. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Suddenly, the Emperor Speaks! - Hail, Beauteous Youth
  209. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Intone Your Hymn! - Païan, Lyre d'or
  210. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Caesar, I Refuse Your Lyre... - Ah, Tu pleures le Bien-Animé!
  211. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Who is This Young Man So White... - Cessez, ô pleureuses!
  212. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: Sing! Exult! - Io! Io! Adoniastes!
  213. Le martyre de Saint Sébastian, L. 124: III. The Council of False Gods: He Dies, the Archer of Lebanon - Il est mort, le bel Adonis
  214. Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: But Gentle People...
  215. Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: I Feel in the Palm of My Hand the Stigmata Burn...
  216. Le martyre de Saint Sébastian, L. 124: IV. The Wounded Laurel: From the Depths, Archers, I Call Upon Your Love - Hélas! Ah! Pleurez, ô femmes de Syrie
  217. Le martyre de Saint Sébastian, L. 124: V. Paradise: A Pearly Radiance Spreads in the Sky...
  218. Le martyre de Saint Sébastian, L. 124: V. Paradise: Gloria
  219. Time Cycle (Orchestral Version): I. We're Late
  220. Time Cycle (Orchestral Version): Improvised Interlude No. 1
  221. Time Cycle (Orchestral Version): II. When the Bells Justle
  222. Time Cycle (Orchestral Version): Improvised Interlude No. 2
  223. Time Cycle (Orchestral Version): III. Sechzehnter Januar
  224. Time Cycle (Orchestral Version): Improvised Interlude No. 3
  225. Time Cycle (Orchestral Version): IV. O Mensch, gib Acht
  226. Song of Songs: Biblical Cantata for Voice and Orchestra: I. Awake, O North Wind
  227. Song of Songs: Biblical Cantata for Voice and Orchestra: II. Come, My Beloved
  228. Song of Songs: Biblical Cantata for Voice and Orchestra: III. By Night on My Bed
  229. Song of Songs: Biblical Cantata for Voice and Orchestra: IV. Set Me As a Seal
  230. Messiah, HWV 56, Part I: No. 1, Symphony. Grave - Allegro moderato
  231. Messiah, HWV 56, Part I: No. 2, Accompagnato "Comfort Ye My People"
  232. Messiah, HWV 56, Part I: No. 3, Air "Ev'ry Valley Shall be Exalted"
  233. Messiah, HWV 56, Part I: No. 4, Chorus "And the Glory of the Lord Shall be Revealed"
  234. Messiah, HWV 56, Part I: No. 5, Accompagnato "Thus Saith the Lord of Hosts"
  235. Messiah, HWV 56, Part I: No. 6, Air "But Who May Abide the Day of His Coming"
  236. Messiah, HWV 56, Part I: No. 7, Chorus "And He Shall Purify the Sons of Levi"
  237. Messiah, HWV 56, Part I: No. 7, Recitative "Behold, a Virgin Shall Conceive"
  238. Messiah, HWV 56, Part I: No. 8, Air & Chorus "O Thou That Tellest Good Tidings"
  239. Messiah, HWV 56, Part I: No. 11, Chorus "For Unto Us a Child is Born"
  240. Messiah, HWV 56, Part I: No. 12, Pifa - Pastoral Symphony
  241. Messiah, HWV 56, Part I: No. 12, Recitative "There Were Shepherds Abiding in the Field"
  242. Messiah, HWV 56, Part I: No. 13, Accompagnato "And lo, the Angel of the Lord Came Upon Them"
  243. Messiah, HWV 56, Part I: No. 13, Recitative "And The Angel Said Unto Them"
  244. Messiah, HWV 56, Part I: No. 14, Accompagnato "And Suddenly There Was With The Angel"
  245. Messiah, HWV 56, Part I: No. 15, Chorus "Glory to God in the Heighest"
  246. Messiah, HWV 56, Part I: No. 16, Air "Rejoice Greatly"
  247. Messiah, HWV 56, Part I: No. 16, Recitative "Then Shall the Eyes of the Blind be Open'd"
  248. Messiah, HWV 56, Part I: No. 17, Air "He Shall Feed His Flock"
  249. Messiah, HWV 56, Part II: No. 30, Chorus "Lift Up Your Heads, O Ye Gates"
  250. Messiah, HWV 56, Part II: No. 36, Air "Why Do the Nations So Furiously Rage"
  251. Messiah, HWV 56, Part II: No. 37, Chorus "Let Us Break Their Bonds Asunder"
  252. Messiah, HWV 56, Part II: No. 37, Recitative "He That Dwelleth in Heaven"
  253. Messiah, HWV 56, Part II: No. 38, Air "Thou Shalt Break Them"
  254. Messiah, HWV 56, Part II: No. 39, Chorus "Hallelujah!"
  255. Messiah, HWV 56, Part II: No. 19, Chorus "Behold the Lamb of God"
  256. Messiah, HWV 56, Part II: No. 20, Air "He Was Despised"
  257. Messiah, HWV 56, Part II: No. 22, Chorus "And With His Stripes We Are Healed"
  258. Messiah, HWV 56, Part II: No. 23, Chorus "All We Like Sheep Have Gone Astray"
  259. Messiah, HWV 56, Part II: No. 24, Accompagnato "All They That See Him"
  260. Messiah, HWV 56, Part II: No. 25, Chorus "He Trusted in God"
  261. Messiah, HWV 56, Part II: No. 26, Accompagnato "They Rebuke Hath Broken His Heart"
  262. Messiah, HWV 56, Part II: No. 27, Arioso "Behold, And See, If There Be Any Sorrow"
  263. Messiah, HWV 56, Part II: No. 28, Accompagnato "He Was Cut Off Out of the Land"
  264. Messiah, HWV 56, Part III: No. 40, Air "I Know That My Redeemer Liveth"
  265. Messiah, HWV 56, Part III: No. 41, Chorus "Since By Man Came Death"
  266. Messiah, HWV 56, Part III: No. 42, Recitative "Behold, I Tell You a Mystery"
  267. Messiah, HWV 56, Part III: No. 42, Air "The Trumpet Shall Sound"
  268. Messiah, HWV 56, Part III: No. 47, Chorus "Worthy Is The Lamb That Was Slain - Amen"
  269. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": Overture
  270. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": Recitative: "From harmony" (Tenor)
  271. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 1 Accompanied Recitative: "When Nature" (Tenor)
  272. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 2: "From Harmony, from Heav'nly Harmony" (Chorus)
  273. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 3 Aria: "What Passion Cannot Music Raise" (Soprano)
  274. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 4: "The Trumpet's Loud Clangour" (Tenor, Chorus)
  275. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 5: March
  276. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 6a Aria: "The Soft Complaining Flute"
  277. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 7 Aria: "Sharp Violins Proclaim Their Jealous Pangs" (Tenor)
  278. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 8 Aria "But Oh! What Art Can Teach!" (Soprano, Organ Obbligato)
  279. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 9 Aria: "Orpheus Could Lead the Savage Race" (Soprano)
  280. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 10 Accompanied Recitative: "But Bright Cecilia" (Soprano)
  281. Ode for St. Cecilia's Day, HWV 76 "From Harmony, from Heav'nly Harmony": No. 11: "As From the Pow'r of Sacred Lays"
  282. Die Schöpfung, Hob. XXI:2, Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: "Im Anfange schuf Got Himmel und Erde" (Raphael, Uriel)
  283. Die Schöpfung, Hob. XXI:2, Part I, The First Day. No. 2 Aria and Chorus: "Nun schwanden vor dem heiligen Strahle" (Uriel)
  284. Die Schöpfung, Hob. XXI:2, Part I, The Second Day. No. 3 Recitative: "Und Gott machte das Firmament" (Raphael)
  285. Die Schöpfung, Hob. XXI:2, Part I, The Second Day. No. 4 Solo and Chorus: "Mit Staunen sieht das Wunderwerk" (Gabriel) - "Und laut ertönt aus ihren Kehlen"
  286. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 5 Recitative: "Und Gott sprach: Es sammle sich das Wasser" (Raphael)
  287. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 6 Aria: "Rollend in schäumenden Wellen" (Raphael)
  288. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 7 Recitative: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)
  289. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 8 Aria: "Nun beut die Flur das frische Grün" (Gabriel)
  290. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 9 Recitative: "Und die himmlischen Heerscharen verkündigten" (Uriel)
  291. Die Schöpfung, Hob. XXI:2, Part I, The Third Day. No. 10 Chorus: "Stimmt an die Saiten"
  292. Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 11 Rectiative: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)
  293. Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 12 Recitative: "In vollem Glanze steiget jetzt" (Uriel)
  294. Die Schöpfung, Hob. XXI:2, Part I, The Fourth Day. No. 13 Chorus and Soli: "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael) - "Dem kommenden Tage sagt es der Tag"
  295. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 14 Recitative: "Und Gott sprach: Es bringe das Wasser in der Füller hervor" (Gabriel)
  296. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 15 Aria: "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel)
  297. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 16 Recitative: "Und Gott schuf große Walfische" (Raphael)
  298. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 17 Recitative: "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael)
  299. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 18 Trio: "In holder Anmut stehn" (Gabriel, Uriel, Raphael)
  300. Die Schöpfung, Hob. XXI:2, Part II, The Fifth Day. No. 19 Chorus and Soli: "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael)
  301. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 20 Recitative: "Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe" (Raphael)
  302. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 21 Recitative: "Gleich öffnet sich der ERde Schoß" (Raphael)
  303. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 22 Aria: "Nun scheint in vollem Glanze der Himmel" (Raphael)
  304. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 23 Recitative: "Und Gott schuf den Menschen nach seinem Bilde" (Uriel)
  305. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 24 Aria: "Mit Würd' und Hoheit angetan" (Uriel)
  306. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 25 Recitative: "Und Gott sah jedes Ding" (Raphael)
  307. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 26 Chorus: "Vollendet ist das große werk"
  308. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 27 Trio: "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael)
  309. Die Schöpfung, Hob. XXI:2, Part II, The Sixth Day. No. 28 Chorus: "Vollendet ist das große Werk"
  310. Die Schöpfung, Hob XXI:2: Part III. No. 29 Orchestral Introduction and Rectiative: "Aus Rosenwolken bricht" (Uriel)
  311. Die Schöpfung, Hob XXI:2: Part III. No. 30 Duet and Chorus: "Vor deiner Güt', o Herr und Gott" (Eva, Adam) - "Gesseegnet sei des Herren Macht"
  312. Die Schöpfung, Hob XXI:2: Part III. No. 31 Recitative: "Nun ist die erste Pflicht erfüllt" (Adam, Eva)
  313. Die Schöpfung, Hob XXI:2: Part III. No. 32 Duet: "Holde Gattin, dir zur Seite" (Adam, Eva)
  314. Die Schöpfung, Hob XXI:2: Part III. No. 33 Recitative: "O glücklich Paar" (Uriel)
  315. Die Schöpfung, Hob XXI:2: Part III. No. 34 Chorus and Soli: "Singt dem Herren alle Stimmen!"
  316. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": I. Kyrie, Kyrie eleision. Poco adagio
  317. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIa. Gloria, Gloria in excelsis Deo. Vivace assai
  318. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIb. Gloria, Gratias agimus tibi. Allegretto
  319. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIc. Gloria, Quoniam tu solus sanctus. Allegro spiritoso
  320. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIa. Credo, Credo in unum Deum. Vivace
  321. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIb. Credo, Et incarnatus est. Adagio
  322. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIIc. Credo, Et ressurrexit. Vivace
  323. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IIId. Credo, Et vitam venturi. Vivace
  324. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": IV. Sanctus, Sanctus, sanctus. Adagio - Allegro
  325. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": V. Benedictus, Benedictus qui venit. Allegro molto - Allegro
  326. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": VIa. Agnus Dei, Agnus Dei. Adagio
  327. Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse": VIb. Agnus Dei, Dona nobis pacem. Allegro con spirito
  328. Missa in Tempore Belli, Hob. XXII/9: I. Kyrie. Largo - Allegro moderato
  329. Missa in Tempore Belli, Hob. XXII/9: IIa. Gloria. Gloria in excelsis Deo. Vivace
  330. Missa in Tempore Belli, Hob. XXII/9: IIb. Gloria. Qui tollis peccata mundi. Adagio
  331. Missa in Tempore Belli, Hob. XXII/9: IIc. Gloria. Quoniam tu solus sanctus. Allegro
  332. Missa in Tempore Belli, Hob. XXII/9: IIIa. Credo. Credo in unum Deum. Allegro
  333. Missa in Tempore Belli, Hob. XXII/9: IIIb. Credo. Et incarnatus est. Adagio
  334. Missa in Tempore Belli, Hob. XXII/9: IIIc. Credo. Et resurrexit. Allegro
  335. Missa in Tempore Belli, Hob. XXII/9: IIId. Credo. Et vitam venturi. Vivace
  336. Missa in Tempore Belli, Hob. XXII/9: IV. Sanctus. Adagio
  337. Missa in Tempore Belli, Hob. XXII/9: V. Benedictus. Andante
  338. Missa in Tempore Belli, Hob. XXII/9: VIa. Agnus Dei. Agnus Dei, qui tollis peccata mundi. Adagio
  339. Missa in Tempore Belli, Hob. XXII/9: VIb. Agnus Dei. Dona nobis pacem. Allegro con spirito
  340. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": I. Kyrie. Allegro moderato
  341. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Gloria in excelsis Deo. Allegro
  342. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Qui tollis peccata mundi. Adagio
  343. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Quoniam tu solus sanctus. Allegro
  344. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Credo in unum Deum. Allegro con spirito
  345. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Et incarnatus est. Largo
  346. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": III. Credo: Et resurrexit. Vivace
  347. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": IV. Sanctus: Adagio - Allegro
  348. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": V. Benedictus: Allegretto
  349. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": V. Benedictus: Osanna in excelsis. Allegro
  350. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": VI. Agnus Dei. Adagio
  351. Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": VI. Agnus Dei: Dona nobis pacem
  352. Magnificat in D Major, BWV 243: No. 1 Chorus: Magnificat
  353. Magnificat in D Major, BWV 243: No. 2 Aria: Ex exultavit
  354. Magnificat in D Major, BWV 243: No. 3 Aria: Quia respexit humilitatem - Chorus: Omnes generationes
  355. Magnificat in D Major, BWV 243: No. 4 Aria: Quia fecit mihi magna
  356. Magnificat in D Major, BWV 243: No. 5 Duet: Et misericordia
  357. Magnificat in D Major, BWV 243: No. 6 Chorus: Fecit potentiam
  358. Magnificat in D Major, BWV 243: No. 7 Aria: Deposuit potentes
  359. Magnificat in D Major, BWV 243: No. 8 Aria: Esurientes implevit bonis
  360. Magnificat in D Major, BWV 243: No. 9 Trio: Suscepit Israel
  361. Magnificat in D Major, BWV 243: No. 10 Chorus: Sicut locutus est - Gloria Patri
  362. Glagolitic Mass, JW 3/9: I. Úvod - Introduction
  363. Glagolitic Mass, JW 3/9: II. Gospodi pomiluj - Kyrie
  364. Glagolitic Mass, JW 3/9: III. Slava - Gloria
  365. Glagolitic Mass, JW 3/9: IV. Veruju - Credo
  366. Glagolitic Mass, JW 3/9: V. Svet - Sanctus
  367. Glagolitic Mass, JW 3/9: VI. Agnece Bozij - Agnus Dei
  368. Glagolitic Mass, JW 3/9: VII. Varhany solo
  369. Glagolitic Mass, JW 3/9: VIII. Intrada - Exodos
  370. Gloria, FP 177: I. Gloria. Maestoso
  371. Gloria, FP 177: II. Laudemus te. Très vitet et joyeux
  372. Gloria, FP 177: III. Domine Deus. Très lent et calme
  373. Gloria, FP 177: IV. Domine Fili unigenite. Très lent et calme
  374. Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent
  375. Gloria, FP 177: VI. Qui sedes as dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme
  376. Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso
  377. Symphony No. 2 in C Minor "Resurrection": II. Andante moderato
  378. Symphony No. 2 in C Minor "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
  379. Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
  380. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
  381. Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
  382. Das Lied von der Erde: II. Der Einsame im Herbst
  383. Das Lied von der Erde: III. Von der Jugend
  384. Das Lied von der Erde: IV. Von der Schönheit
  385. Das Lied von der Erde: V. Der Trunkene im Frühling
  386. Das Lied von der Erde: VI. Der Abschied
  387. Symphony No. 5 in C-sharp Minor: IV. Adagietto (Recorded at RFK's Memorial Service)
  388. Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n
  389. Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
  390. Kindertotenlieder: III. Wenn dein Mütterlein
  391. Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
  392. Kindertotenlieder: V. In diesem Wetter
  393. Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
  394. Des Knaben Wunderhorn: Der Schildwache Nachtlied
  395. Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
  396. Des Knaben Wunderhorn: Der Tamboursg'sell
  397. Des Knaben Wunderhorn: Rheinlegendchen
  398. Des Knaben Wunderhorn: Lied des Verfolgten im Turm
  399. Des Knaben Wunderhorn: Urlicht
  400. Des Knaben Wunderhorn: Revelge
  401. Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
  402. Des Knaben Wunderhorn: Verlorne Müh'
  403. Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
  404. Des Knaben Wunderhorn: Lob des hohen Verstandes
  405. Des Knaben Wunderhorn: Das irdische Leben
  406. Des Knaben Wunderhorn: Trost im Unglück
  407. Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n
  408. Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
  409. Kindertotenlieder: III. Wenn dein Mütterlein
  410. Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
  411. Kindertotenlieder: V. In diesem Wetter, in diesem Braus
  412. Rückert-Lieder: II. Ich atmet' einen linden Duft
  413. Rückert-Lieder: III. Ich bin der Welt abhanden gekommen
  414. Das Knaben Wunderhorn: V. Das iridische Leben
  415. Rückert-Lieder: IV. Um Mitternacht
  416. Des Knaben Wunderhorn: Der Schildwache Nachtlied
  417. Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
  418. Des Knaben Wunderhorn: Trost im Unglück
  419. Des Knaben Wunderhorn: Revelge
  420. Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
  421. Des Knaben Wunderhorn: Das irdische Leben
  422. Des Knaben Wunderhorn: Lied des Verfolgten im Turm
  423. Des Knaben Wunderhorn: Der Tamboursg'sell
  424. Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
  425. Des Knaben Wunderhorn: Rheinlegendchen
  426. Des Knaben Wunderhorn: Verlor'ne Müh
  427. Des Knaben Wunderhorn: Urlicht
  428. Des Knaben Wunderhorn: Lob des hohen Verstandes
  429. Rückert-Lieder: Ich atmet' einen linden Duft
  430. Rückert-Lieder: Blicke mir nicht in die Lieder!
  431. Rückert-Lieder: Ich bin der Welt abhanden gekommen
  432. Rückert-Lieder: Um Mitternacht
  433. Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen!
  434. Lieder und Gesänge aus der Jugendzeit: Serenade aus Don Juan
  435. Lieder und Gesänge aus der Jugendzeit: Zu Straßburg auf der Schanz
  436. Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden
  437. Lieder und Gesänge aus der Jugendzeit: Selbstgefühl
  438. Lieder und Gesänge aus der Jugendzeit: Um schlimme Kinder artig zu machen
  439. Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer
  440. Lieder und Gesänge aus der Jugendzeit: Phantasie aus Don Juan
  441. Lieder und Gesänge aus der Jugendzeit: Erinnerung
  442. Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald
  443. Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen
  444. Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
  445. Lieder eines fahrenden Gesellen: Ging heut' morgens übers Feld
  446. Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
  447. Lieder eines fahrenden Gesellen: Die zwei blauen Augen
  448. Les Choéphores, Op. 24: I. Vocifération funèbre
  449. Les Choéphores, Op. 24: II. Libation
  450. Les Choéphores, Op. 24: III. Incantation
  451. Les Choéphores, Op. 24: IV. Présages
  452. Les Choéphores, Op. 24: V. Exhortation
  453. Les Choéphores, Op. 24: VI. La justice et la lumière
  454. Les Choéphores, Op. 24: VII. Conclusion
  455. 3 Petites Liturgies de la Présence Divine: I. Antienne de la Conversation Intérieure: Dieu présent en nous
  456. 3 Petites Liturgies de la Présence Divine: II. Séquence du Verbe, Cantique Divin: Dieu présent en lui-meme
  457. 3 Petites Liturgies de la Présence Divine: III. Psalmodie de l'Ubiquité par Amour: Dieu présent en toutes choses
  458. Shéhérazade (3 Poems for Voice and Orchestra): I. Asie
  459. Shéhérazade (3 Poems for Voice and Orchestra): II. La Flûte enchantée
  460. Shéhérazade (3 Poems for Voice and Orchestra): III. L'Indifférent
  461. Songs and Dances of Death: I. Trepak
  462. Songs and Dances of Death: II. Lullaby
  463. Songs and Dances of Death: III. Serenade
  464. Songs and Dances of Death: IV. Field Marshal
  465. Banalités, FP 107: No. 2, Hôtel
  466. Banalités, FP 107: No. 4, Voyage à Paris
  467. Deux poèmes de Louis Aragon, FP 122: No. 1, C
  468. Der Rosenkavalier, op. 59: Akt I. Prelude
  469. Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin)
  470. Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin)
  471. Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron)
  472. Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo)
  473. Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin)
  474. Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian)
  475. Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi)
  476. Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer)
  477. Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer)
  478. Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina)
  479. Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin)
  480. Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)
  481. Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian)
  482. Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian)
  483. Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen)
  484. Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo)
  485. Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen)
  486. Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie)
  487. Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian)
  488. Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna)
  489. Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna)
  490. Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna)
  491. Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian)
  492. Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie)
  493. Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie)
  494. Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron)
  495. Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal)
  496. Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus)
  497. Der Rosenkavalier, op 59: Akt II. “Ohne mich, ohne mich” (Baron, Annina)
  498. Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime
  499. Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron)
  500. Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron)
  501. Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron)
  502. Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi)
  503. Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian)
  504. Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie)
  505. Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord)
  506. Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie)
  507. Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian)
  508. Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus)
  509. Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin)
  510. Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie)
  511. Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin)
  512. Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King
  513. Oedipus Rex: Act I: "Caedit nos pestis"
  514. Oedipus Rex: Act I: "Liberi vos liberabo"
  515. Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus
  516. Oedipus Rex: Act I: "Respondit Deus"
  517. Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth
  518. Oedipus Rex: Act I: "Dicere non possum"
  519. Oedipus Rex: Act I: "Gloria!"
  520. Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta
  521. Oedipus Rex: Act II: "Nonn'erubescite, reges"
  522. Oedipus Rex: Act II: "Ne Probentur Oracula"
  523. Oedipus Rex: Act II: "Ego senem cecici"
  524. Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow
  525. Oedipus Rex: Act II "Adest omniscius pastor"
  526. Oedipus Rex: Act II: "Nonne monstru rescituri"
  527. Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog
  528. Oedipus Rex: Act II: "Divum locastae caput mortuum!"
  529. Oedipus Rex: Act II: "Ecce! Regem Oedipoda"
  530. Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
  531. Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)
  532. Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola)
  533. Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff)
  534. Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nannetta.” (Meg, Alice, Quickly, Nannetta)
  535. Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford)
  536. Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
  537. Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)
  538. Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton)
  539. Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly)
  540. Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo)
  541. Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
  542. Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff)
  543. Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff)
  544. Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta)
  545. Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
  546. Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice)
  547. Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly)
  548. Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton)
  549. Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus)
  550. Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff)
  551. Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta)
  552. Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
  553. Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
  554. Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
  555. Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus)
  556. Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus)
  557. Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus)
  558. Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alice, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus)
  559. Requiem: I. Requiem & Kyrie
  560. Requiem: II. Dies Irae: Dies Irae, Dies Illa
  561. Requiem: II. Dies Irae:Tuba Mirum Spargens Sonum
  562. Requiem: II. Dies Irae:Liber Scriptus Proferetur
  563. Requiem: II. Dies Irae:Quid Sum Miser
  564. Requiem: II. Dies Irae:Rex Tremendae Majestatis
  565. Requiem: II. Dies Irae:Recordare, Jesu Pie
  566. Requiem: II. Dies Irae:Ingemisco Tamquam Reus
  567. Requiem: II. Dies Irae:Confutatis Maledictis
  568. Requiem: II. Dies Irae:Lacrymosa Dies Illa
  569. Requiem: III. Offertorio
  570. Requiem: IV. Sanctus
  571. Requiem: V. Agnus Dei
  572. Requiem: VI. Lux Aeterna
  573. Requiem: VII. Libera Me
  574. Götterdämmerung: Final Scene (Immolation Scene)
  575. Wesendonck Lieder: I. Der Engel
  576. Wesendonck Lieder: II. Stehe still!
  577. Wesendonck Lieder: III. Im Treibhaus
  578. Wesendonck Lieder: IV. Scherzen
  579. Wesendonck Lieder: V. Träume
  580. Bachianas brasileiras No. 5, W 389: I. Ária
  581. Bachianas brasileiras No. 5, W 389: II. Dança
  582. Luonnotar, Op. 70
  583. Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): I. Asie
  584. Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): II. La Flûte enchantée
  585. Shéhérazade (3 Poems for Mezzo-Soprano and Orchestra): III. L'Indifférent
  586. Songfest: IV. To My Dear and Loving Husband
  587. Take Care of This House (From "1600 Pennsylvania Avenue")
  588. The Star Spangled Banner - National Anthem of the United States of America
  589. Address by John D. Rockefeller III, Chairman of the Board
  590. Gloria from Missa Solemnis in D Major
  591. Connotations for Orchestra
  592. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): Andante sostenuto
  593. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How sweet the moonlight sleeps"
  594. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Look how the floor of heaven is thick inlaid"
  595. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Come, ho! and wake Diana with a hymn"
  596. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "I am never merry when I hear sweet music"
  597. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Music! Hark!"
  598. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "How many things by season"
  599. Serenade to Music (From "The Marchant of Venice, Act V, Scene 1"): "Soft stillness and the night"
  600. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Veni, creator spiritus!
  601. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Imple superna gratia
  602. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis I
  603. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Tempo I. Allegro, etwas hastig
  604. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis II
  605. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Accende lumen sensibus
  606. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Qui Parcalitus deceris
  607. Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Gloria Patri Domino
  608. Nine Sacred Pieces, TH. 78, No. 6: Pater Noster
  609. Messiah, HWV 56, Pt. II, No. 44: Hallelujah Chorus
  610. haTikvah
  611. Liederkreis, op. 39, No. 1: In der Fremde
  612. Liederkreis, op. 39, No. 2: Intermezzo
  613. Liederkreis, op. 39, No. 3. Waldesgespräch
  614. Liederkreis, op. 39, No. 4: Die Stille
  615. Liederkreis, op. 39, No. 5: Mondnacht
  616. Liederkreis, op. 39, No. 6: Schöne Fremde
  617. Liederkreis, op. 39, No. 7: Auf einer Burg
  618. Liederkreis, op. 39, No. 8: In der Fremde
  619. Liederkreis, op. 39, No. 9: Wehmut
  620. Liederkreis, op. 39, No. 10: Zwielicht
  621. Liederkreis, op. 39, No. 11: Im Walde
  622. Liederkreis, op. 39, No. 12: Frühlingsnacht
  623. Allerseelen, op 10/8
  624. Noch', op. 60/9
  625. Zabït' tak skoro, TH 94
  626. Kolïbel'naya pesn', op. 16/1
  627. Pogodi! op. 16/2
  628. Sred' mrachnïkh dney, op. 73/5
  629. Ne poy, krasavitsa! op. 4/4
  630. La Vie antérieure
  631. Fêtes galantes Set I: I. En sourdine
  632. Fêtes galantes Set I: II. Fantoches
  633. Fêtes galantes Set I: III. Clair de lune
  634. 3 Mélodies: I. La Statue de bronze
  635. 3 Mélodies: II. Daphénéo
  636. 3 Mélodies: III. Le Chapelier
  637. Oh! quand je dors, S 282
  638. Air vif, FP 46/4
  639. La Périchole : Acte I. « Ô mon cher amant » (Air de la lettre)
  640. La Périchole : Acte I. « Ah ! Quel dîner je viens de faire »
  641. Zigeunerlieder, op. 103, No. 1: He, Zigeuner, greife
  642. Zigeunerlieder, op. 103, No. 2: Hochgetürmte Rimaflut
  643. Zigeunerlieder, op. 103, No. 3: Wisst ihr, wann mein Kindchen
  644. Zigeunerlieder, op. 103, No. 4: Lieber Gott, du weißt
  645. Zigeunerlieder, op. 103, No. 5: Brauner Bursche führt zum Tanze
  646. Zigeunerlieder, op. 103, No. 6: Röslein dreie in der Reihe
  647. Zigeunerlieder, op. 103, No. 7: Kommt dir manchmal in den Sinn
  648. Zigeunerlieder, op. 103, No. 8: Rote Abendwolken ziehn
  649. Der Tod, das ist die kühle Nacht, op. 96/1
  650. Immer leiser wird mein Schlummer, op. 105/2
  651. Feldeinsamkeit, op. 86/2
  652. Ständchen, op. 106/1
  653. Liebestreu, op. 3/1
  654. Mädchenlied, op. 107/5
  655. Sapphische Ode, op. 94/4
  656. Ruhe, Süßliebchen, op. 33/9
  657. Die Mainacht, op. 43/2
  658. Von ewiger Liebe, op. 43/1
  659. O Come, All Ye Faithful
  660. The Twelfth Night Song
  661. Away in a Manger
  662. Carol of the Bells
  663. The Animal Carol
  664. The Twelve Days of Christmas
  665. O Little Town of Bethlehem
  666. Patapan
  667. Joy to the World
  668. Lullay, My Liking (I Saw a Maiden)
  669. God Rest Ye Merry, Gentlemen
  670. La Virgen Lava Pañales
  671. Deck the Halls With Boughs of Holly
  672. Joseph lieber, Joseph mein
  673. Once in Royal David's City
  674. Silent Night
  675. Symphonie fantastique, op. 14: I. Rêveries. Passions. Largo - Allegro agitato e appassionato assai
  676. Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo
  677. Symphonie fantastique, op. 14: III. Scène aux champs. Adagio
  678. Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo
  679. Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat. Larghetto - Allegro
  680. Berlioz Takes a Trip
  681. Symphony no. 5 in B-flat major, op. 100: I. Andante
  682. Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato
  683. Symphony no. 5 in B-flat major, op. 100: III. Adagio
  684. Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso
  685. Symphony No. 5 in D Minor, Op. 47: I. Moderato (Live in Japan)
  686. Symphony No. 5 in D Minor, Op. 47: II. Allegretto (Live in Japan)
  687. Symphony No. 5 in D Minor, Op. 47: III. Largo (Live in Japan)
  688. Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo (Live in Japan)
  689. Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima
  690. Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona
  691. Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato
  692. Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco
  693. Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: I. Allegro brillante
  694. Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente - Agitato
  695. Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda
  696. Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: IV. Allegro, ma non troppo
  697. Quartet for Piano, Violin, Viola and Cello in G minor, K 478: I. Allegro
  698. Quartet for Piano, Violin, Viola and Cello in G minor, K 478: II. Andante
  699. Quartet for Piano, Violin, Viola and Cello in G minor, K 478: III. Rondo. Allegro moderato
  700. Concerto for Piano and Orchestra, in G major: I. Allegramente
  701. Concerto for Piano and Orchestra, in G major: II. Adagio assai
  702. Concerto for Piano and Orchestra, in G major: III. Presto
  703. 7 Anniversaries (for Piano): I. For Aaron Copland
  704. 7 Anniversaries (for Piano): II. For My Sister, Shirley
  705. 7 Anniversaries (for Piano): III. In Memoriam: Alfred Eisner
  706. 7 Anniversaries (for Piano): IV. For Paul Bowles
  707. 7 Anniversaries (for Piano): V. In Memoriam: Nathalie Koussevitzky
  708. 7 Anniversaries (for Piano): VI. For Serge Koussevitzky
  709. 7 Anniversaries (for Piano): VII. For William Schuman
  710. Piano Sonata: I. Molto moderato - attacca
  711. Piano Sonata: II. Vivace - attacca
  712. Piano Sonata: III. Andante sostenuto
  713. Dusty Sun
  714. Afterthought
  715. I Hate Music: I. My Name Is Barbara. Moderato
  716. I Hate Music: II. Jupiter Has Seven Moons. Allegretto vivace
  717. I Hate Music: III. I Hate Music! Sostenuto – Allegro molto – Tempo I
  718. I Hate Music: IV. A Big Indian and a Little Indian (Riddle Song). Con brio
  719. I Hate Music: V. I’m a Person Too. Moderato, alla marcia – Andante – Tempo I
  720. The Airborne Symphony: I. Theory of Flight
  721. The Airborne Symphony: I. Ballad of History and Mythology
  722. The Airborne Symphony: I. Kittyhawk
  723. The Airborne Symphony: I. The Airborne
  724. The Airborne Symphony: II. The Enemy
  725. The Airborne Symphony: II. Threat and Approach
  726. The Airborne Symphony: II. Ballad of Cities
  727. The Airborne Symphony: II. Morning Poem
  728. The Airborne Symphony: III. Ballad of Hurry-up
  729. The Airborne Symphony: III. Night Music. Ballad of the Bombardier
  730. The Airborne Symphony: III. Recitative
  731. The Airborne Symphony: III. Chorus of the Rendezvous
  732. The Airborne Symphony: III. The Open Sky
  733. Facsimile
  734. Symphony No. 1 "Jeremiah": I. Prophecy. Largamente
  735. Symphony No. 1 "Jeremiah": II. Profanation. Vivace con brio
  736. Symphony No. 1 "Jeremiah": III. Lamentation. Lento
  737. On the Town - Dances: Lonely Town - Pas de deux
  738. On the Town - Dances: Act I, Times Square
  739. On the Town - Dances: Subway Ride
  740. On the Town - Dances: The Great Lover Displays Himself
  741. On the Town - Dances: Ivy and Gabey - Pas de deux
  742. Billy the Kid - Ballet Suite: Prelude: The Open Prairie
  743. Billy the Kid - Ballet Suite: Street in a Frontier Town
  744. Billy the Kid - Ballet Suite: Waltz
  745. Billy the Kid - Ballet Suite: Card Game
  746. Billy the Kid - Ballet Suite: The Fight
  747. Billy the Kid - Ballet Suite: Celebration Dance
  748. Billy the Kid - Ballet Suite: Epilogue
  749. Statements for Orchestra, No. 5: Jingo
  750. An American in Paris
  751. Histoire du soldat: The Soldier’s March
  752. Histoire du soldat: Music to Scene I
  753. Histoire du soldat: The Royal March
  754. Histoire du soldat: Music to Scene II
  755. Histoire du soldat: The Little Concert
  756. Histoire du soldat: 3 Dances: Tango – Waltz – Ragtime
  757. Histoire du soldat: Little Chorale
  758. Histoire du soldat: The Devil's Dance
  759. Histoire du soldat: Great Chorale
  760. Histoire du soldat: Triumphal March of the Devil
  761. Octet for Wind Instruments: I. Sinfonia
  762. Octet for Wind Instruments: II. Tema con variazioni
  763. Octet for Wind Instruments: III. Finale
  764. La Création du monde, Ballet, op. 81
  765. Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
  766. Symphony No. 7 in A Major, Op. 92: II. Allegretto
  767. Symphony No. 7 in A Major, Op. 92: III. Presto
  768. Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
  769. On the Town: Act I. Opening: New York, New York - Gabey's Comin’ - Dance: Miss Turnstiles (Variations) (Gabey, Chip, Ozzie, ensemble, announcer)
  770. On the Town: Act I. Taxi Number: Come Up to My Place (Hildy, Chip)
  771. On the Town: Act I. Carried Away (Claire, Ozzie)
  772. On the Town: Act I. Lonely Town - High School Girls - Pas de deux (ballet music) (Gabey)
  773. On the Town: Act I. Carnegie Hall Pavane (Do‐Do‐Re‐Do) (ensemble)
  774. On the Town: Act I. I Can Cook, Too (Hildy)
  775. On the Town: Act I. Lucky to Be Me (Gabey, ensemble)
  776. On the Town: Act I. Times Square Ballet: Finale, Act I
  777. On the Town: Act II. Nightclub Sequence: a) So Long, Baby - b) I’m Blue - c) Ya Got Me (ensemble, nightclub singer, Hildy, Claire, Chip, Ozzie)
  778. On the Town: Act II. I Understand (Pitkin)
  779. On the Town: Act II. Ballet: The Imaginary Coney Island: a) Subway Ride - b) The Great Lover Displays Himself - c) Pas de deux
  780. On the Town: Act II. Some Other Time (Claire, Hildy, Chip, Ozzie)
  781. On the Town: Act II. Dance: The Real Coney Island - Finale (Coney Island barker, ensemble)